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YEAR: 2010
STYLE: Progressive/ Avantgarde Metal
FORMAT: FLAC (Image + Log + Cue + 5% Recovery)
SIZE: 320 Mb
COUNTRY: USA 1. Romanza (1:11)
2. Centipede (4:10)
3. Snake (6:10)
4. Scorpion (5:07)
5. Lizard (5:16)
6. Toad (4:38)
7. Mischief and Epiphany (3:51)
8. Let Us Welcome the Actors (4:59)
9. Last Stand (3:08)
10. Farewell (3:47)
11. Peace Be Upon You (2:20)
The Band:
— The White Swan / vocals, keyboards
— Black Ninja / drums
— Red Dragon / guitars, vocals
— Black Scorpion / guitars, vocals
— White Dragon / bass  Молчание группы затянулось на долгих 4 года, и вот, наконец, в сети
появился новый альбом этой весьма неординарной американской группы,
играющей крайне оригинальный и яркий прогрессивный металл. К слову,
весьма примечателен и имидж музыкантов, которые выходят на сцену в
масках и костюмах из старых фильмов о восточных боевых искусствах.
Музыкальная часть по сравнению с дебютником претерпела некоторые
изменения. В первую очередь, стало гораздо меньше того циркового
безумия, которое царило на первом альбоме, композиции стали более
упорядоченными, в них слышно влияние арт-рока и даже классической
музыки (в частности, в интро и в аутро обыгрываются известные
классические темы). Второй отличительный момент — это отсутствия
безумного "паттоновского" скриминга, которым был богат "Intelligent
Design". "Белый Лебедь" теперь поет крайне мелодично, а иногда и вовсе
вкрадчиво шепчет что-то. Впрочем, и то и другое он делает здорово.
Композиции со 2-ю по 6-ю объединены единой концепцией, основанной на
одноименном с названием альбома фильме о боевых искусствах, хотя из
общего музыкального материала они не выделяются. Альбом слушается
нескучно, без явно проходных вещей и вызывает желание нажать "повтор",
но все же яркости, бесшабашности и разнообразия первого творения ему
недостает. Тем не менее, музыка группы весьма своеобразна и узнаваема и
безусловно заслуживает похвалы как высокое исполнительское мастерство
музыкантов, так и их нестандартный подход к сочинительству.
http://www.darkside.ru
There's no doubt that originality is a chief quality that should
define good progressive music. Although the influences of Texan
avant-garde act Shaolin Death Squad are not very difficult to trace,
their music remains dissimilar to any other artist recording today.
This is mainly due to the fact that Mr. Bungle don't exist any more.
Shaolin Death Squad strive to achieve the same level of brilliance
exploring precisely the same genre of experimental rock. Their style is
more theatrical though as they tend to focus on Chinese martial arts,
which finds its direct reflection not only in the name of the band, but
also in their stage presence. The traditional Chinese masks and kung-fu
outfits already signal they're putting a quite refreshing spin on
progressive music.
Their third album, "Five Deadly Venoms" is inspired by the 1978 cult
martial arts film of the same title shot by Chang Cheh. The first half
of the album directly focuses on the subject matter concerning the
movie. The quality of songwriting is strikingly consistent throughout
this part with Shaolin Death Squad blending heavy metal riffing with
oriental keyboards and genuinely haunting melodies. This approach
really works wonders keeping the material both catchy and structurally
varied. With frequent mood changes within one song; the vocals,
delivered by as many as three singers, are also appropriately diverse
ranging from manic chanting and hard-rock screaming to supremely
melodic midrange theatrical passages very reminiscent of Mike Patton.
This versatility combined with intricate vocal melodies is definitely
the album's selling point.
While the first six tracks on the record would make for an excellent
conceptual EP, the rest feels largely unfocused since it's less
vocal-driven. The notable exceptions involve: lofty sing-along ballad
"Farewell" that unravels in a quite surprising manner; as well as
highly theatrical, yet pleasantly dark "Let Us Welcome The Actors".
Other than those two, the remaining compositions fail to gel: the
ska-influenced instrumental "Mischief And Epiphany" wears thin rather
quickly, and "Last Stand" is the one and only true blunder on the whole
album wasting its initially intriguing orchestral motif by implementing
nonsensical heavily-distorted vocals.
All in all, "Five Deadly Venoms" marks a significant improvement
over realeased almost four years ago "Intelligent Design". Even though
Shaolin Death Squad have moved in a more accessible direction resigning
from death metal influences in favor of a more melody-driven approach,
they still retain the trademark features of their refreshing style
crafting the most mature album in their career. It isn't their magnum
opus yet, however they are definitely right on their way to create one
in the near future. For now, "Five Deadly Venoms" seems sufficiently
unique to please every fan of ambitious progressive music.
http://www.sputnikmusic.com
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